HR Hegnauer

Poetry. African American Studies. Peformance Studies. TWERK unveils an identity shaped by popular media and history, code switching and cultural inclusivity. The poems, songs, and myths in this long-awaited first book are as rooted in lyric as in innovation, in Black music as in macaronic satire. TWERK evokes paradox, humor, and vulnerability, and it offers myriad avenues fueled by language, idiom, and vernacular. This book asks only that we imagine America as it has always existed, an Americana beyond the English language.

"He penetrates unsparingly, out of generosity. His sentiments have shadows where he focuses his examination.... His poem, like a soliloquy, seems to open up while at the same time drilling inwards" - John Godfrey, back cover

Poetry written in free, modern style by a black/African-American female writer. From back cover:"This long-awaited compendium of works by LaTasha N. Nevada Diggs will blow your mind with its delirious play of signs, its cultural repurposings and reclaimings, its endlessly spinning polyglot wheel, and its breezy repertoire of ribald, faux-naif cyberfolk myth-science. With dazzling rigor and imagination, Ms. Diggs shares with us a view from Harlem that shines a knowing light on every place in the observable universe. To read these works is to feel the world in mid-transformation. (words by Vijay Iyer)

Lynn Behrendt grew up in Pearl River, New York, and Chester, Vermont and graduated from Bard College with a BA in Creative Writing. She is the author of four chapbooks: The Moon As Chance, Characters, Tinder, and Luminous Flux. She co-edits the Annandale Dream Gazette, a chronicle of poets' dreams, as well as Peep/Show Poetry, an electronic journal of innovative serial works. She publishes limited edition handmade books under the Lines Chapbooks imprint in Red Hook, New York, where she lives and works as a freelance write and editor.