Louis Sullivan

HISTORICAL BACKGROUND. Ancient origins -- Romanesque churches -- Gothic cathedrals -- Medieval glass -- Decline and destruction -- Nineteenth century revival -- New directions in stained glass -- STAINED GLASS BY CHICAGO GLASSMEN. Beginnings and growth -- The glassmen -- The glass -- Styles of glass -- Stained glass for the wealthy -- The Pullman Palace car -- Stained glass in public buildings -- The strike and standardization -- Ecclesiastical stained glass. Victorian style windows ; Munich style art glass ; Sullivan's art glass at K.A.M. Temple ; Healy & Millet and McCully & Miles ; Flanagan & Biedenweg ; Frank Lloyd Wright's designs ; Thomas A. O'Shaughnessy's windows ; Giannini & Hilgart ; Drehobl Bros. Art Glass Company -- Years of decline and the art of Edgar Miller -- Adolfas Valeska's faceted glass -- Bob White's fused glass -- New directions -- ART GLASS FROM ELSEWHERE. Edward Burne-Jones and William Morris -- John La Farge and Louis Tiffany -- La Farge glass in Chicago -- Tiffany Glass in Chicago -- Edward Peck Sperry -- Mayer and Zettler Munich windows -- Willet Stained Glass Studios -- Charles J. Connick Associates -- Conrad Schmitt Studios -- Emil Frei Associates -- Conrad Pickel Studio -- Gabriel Loire Studio -- Abraham Rattner window -- Marc Chagall at the Art Institute.

The Voice is a quarterly journal devoted to documenting historic buildings in need of preservation. This issue discusses several buildings designed by Andrew Sullivan, as well as other buildings in Chicago.

Catalog of an exhibition of the sculpture of Chicago artist Bernard Williams at the Hyde Park Art Center in 2005. "For the first time, Williams has created a series of sculptures and drawings that reconfigure well-known architectural embellishments into freestanding sculptures in-the-round. These careful arrangements of organic patterns and bold lines salvaged from local buildings are totems of American cultural heritage." Includes curriculum vitae.

A souvenir and guidebook to the Chicago River Architecture Tour.