"The Chain O' Lakes region has been one of Chicago's premier vacation spots since the 1880s. The nine major lake basins - Catherine, Channel, Grass, Bluff, Marie, Fox, Nippersink, Petite, and Pistakee - are all connected by the Fox River waterway and have for over 100 years been northern Illinois leading destination for inland boaters, fishermen, picnickers, or those just hoping to relax and play at the beach. Luxurious mansions and swank resorts once dotted the more than 6,000 acres of shoreline. Many are gone today; some remain but have been vastly changed, but none are forgotten. Captured here in over 200 vintage postcards are scenes from the chain's heyday, scenes that will seem at once faraway and familiar to the water-skiers, windsurfers, and other-outdoor recreationists who populate the Chain O' Lakes today."
"The shores of Lake Michigan, with towering bluffs and heavily wooded ravines, have attracted many to Lake Bluff during the past two centuries. The Potowatomis were the first to come, using the ravines for their tribal council meetings. The German and Irish came in 1830s, drawn by the cheap land prices. The 1870s brought the Methodists, who, seeing the beauty of the lake and ravines, purchased 200 acres and formed the Lake Bluff Camp Meeting Association. The summer chatauqua brought thousands of visitors every year to its quaint cottages and hotels. It was in Lake Bluff where Frances Willard, president of the Women's Christian Temperance Union, brought together other temperance leaders to form the national Prohibition party, which led to the ill-fated 18th Amendment. In the 20th century, Lake Bluff had retained its charming cottages and tree-lined village streets. It remains today a picturesque and historic northern suburb of Chicago, nestled along the shores of Lake Michigan."
"Revolution As an Eternal Dream: the Exemplary Failure of the Madame Bihn Graphics Collective" examines the political practice and visual propaganda of a now-obscure women's poster, printmaking, and street art collective based in New York City between 1975 and 1983. For a brief, intense period of time, the MBGC collaborated on projects against racism and in solidarity with national liberation movements, producing many beautiful multicolored silkscreen prints, note cards, banners, posters and other print ephemera before withdrawing into the isolation of a sectarian and militaristic political line. By 1982 its core members were in prison or underground. "Revolution As an Eternal Dream" calls up the perpetual desire for revolution, but also the frailty of such dreams.