Susanne Ghez

Exhibition book for a showing of works by Kerry James Marshall at the Renaissance Society at the University of Chicago, May 6-June 28, 1998. Marshall works in the genre of history painting, seeking to "reread the legacy of the Civil Rights Movement and the whole of African-American history in relation to a very complex present" (Acknowledgements). The exhibit also included prints, sculpture, and video. Includes intepretive essays by Cheryl I. Harris and Richard J. Powell, with extracts from the writings of Will Alexander.

The exhibition catalog for Georg Herold, Albert Oehlen, and Christopher Wool at the Renaissance Society at The University of Chicago March 12-April 23, 1989.

An exhibition catalog.

A catalog of the exhibition at the Renaissance Society at the University of Chicago, January 20-February 29, 1992.

A catalog of the exhibition "View — Julia Fish, Selected Paintings and Drawings, 1985-1995" at the Renaissance Society of the University of Chicago, January 14-February 25, 1996 and at the Madison Art Center, March 3-May 12, 1996.

An institutional history of the Hyde Park Art Center published on the occasion of its relocation into its quarters at 5020 S. Cornell Ave.

Exhibition catalog for a 2006 show of photographer Ben Gest's work at the Renaissance Society at the University of Chicago. Includes reproductions of Gest's portraits.

Zoernig's project is quite simple. It consists of three components; the walls on the floor of the gallery, the blue corridor, and a monitor playing a videotape he executed here in Chicago. In a very direct manner, Zobernig has reversed the relationship between the illusory and the real by using the walls just outside the gallery to create illusion and by denying this function to walls within the gallery. -taken from brochure

For more than seventy-five years, The Renaissance Society has chronicled countless innovations in the visual arts. At its founding in 1915, a horse and buggy were common means of transport, the Soviet Union had not yet been formed, and matisse was considered a threat to decency. Throughout this period of extraordinary social transformation, The Renaissance Society has reflected the questioning of each new generation. It has matured into a world-renowned institution, a place for education, reflection, and enjoyment.