From back cover: "Within this collection of correspondence between 8th graders at Emiliano Zapata Academy and 10th graders at Amundsen High School, 62 teens reflect on their identities, share their hopes and anxieties about the future, open up about loved ones' deaths, and swap K-Pop and Netflix recommendations."
Collection of prose, poetry, and other from the OBAC collective in Chicago. From the back cover 'A Literary Legacy of Black Chicago contains early and new poetry, fiction, drama, and essays by over 50 past or current OBAC members.'
Language:
English
Notes:
Contributors continued: Sandra Royster, Jeanne Towns, Don Ryan, Detmer Timberlake, Pamela Cash-Menzies, Mari Evans, Kalamu ya Salaam, Addison Gayle, Houston A. Baker Jr., Eugenia Collier, Richard A. Long
Inside MAKE #16, “ARCHIVE,” you will find stories, poems, essays, conversations and visual art oriented around concepts of memory, preservation, photo negatives and negative hands, disappearing/reappearing faces, letters sent and never received, lost and recovered traces; in short, the archive (or its simulacrum). One is reminded of Jacques Derrida’s “Archive Fever”: “The concept of the archive shelters in itself, of course, this memory of the name arkhe [rule, government, beginning, origin, first place]. But it also shelters itself from this memory which it shelters: which comes down to saying also that it forgets it.”
Archives are assembled to remember a first place, an origin site that houses historical codes and modes of order, but they are also, weirdly, selective mechanisms of inclusion and exclusion that strategically forget, reassemble or reorder the objects of memory. An archive remembers inasmuch as it forgets, stores away (for later), blurs, and obscures. The archive you will encounter in these pages is one that plays with these notions, and we hope you will enjoy it.
Language:
English
Notes:
Abstract from http://www.makemag.com/make-16-archive/
The precarious world of the Casper family is thrown into chaos by the sudden separation of Jonathan and his wife, Madeline, a decision that forces the couple, their two daughters, and grandfather Henry to confront their own pursuits and cowardice.
Gretchen and Brian struggle to fit in at their Catholic school on Chicago's south side. Both teenagers listen to punk rock and have haircuts that clash with the conservative style of the 1990s. As their school year progresses, they learn the value of individualism over conformity.
Odile is a lovely twenty-three-year-old art-school dropout, a minor vandal, and a hopeless dreamer. Jack is a twenty-five-year-old shirker who's most happy capturing the endless noises of the city on his out-of-date tape recorder. Together they decide to start their own art movement in defiance of a contemporary culture made dull by both the tedious and the obvious. Set in February 1999, just before the end of one world and the beginning of another, Office girl is the story of two people caught between the uncertainty of their futures and the all-too-brief moments of modern life.